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By: Paul Campos

So when she said the foundation was in terrible shape she was telling the truth, but now she’s lying. Got it.

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By: Murc

Then the legal privileges for trusts should be changed broadly. My problem here is that this was a one-off. A bunch of rich and powerful people hated Barnes’ trust, and so they decided to break it....

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By: Substance McGravitas

A little digging says you’re correct, which is a disservice to the art. I wonder how they were hung when the collection travelled?

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By: Hogan

What if the terms of your trust are inhibiting its ability to serve the ill served in the interest of cocking a snook (yes, I said it) at plutocrats? Does the government owe you tax advantages for your...

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By: Hogan

The arrangements are an essential part of Barnes’s theory of art education, which may be ill conceived but he’s entitled to it. Preserving the arrangements doesn’t mean you have to preserve the...

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By: Murc

Er… yes, if I went through the proper channels? I’m dead serious. If the government crafts a law that says “we can modify any trust we deem to have been established out of petty spite” then fine, go...

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By: Murc

Uh-huh. Paul articulates a viewpoint that you think is wrong based on your superior knowledge of the situation, but when queries about said knowledge you refuse to either cite it or go into detail...

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By: Hogan

“we can modify any trust we deem to have been established out of petty spite” The petty spite itself is irrelevant. If the trust includes conditions that make it less able or unable to carry out its...

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By: Paul Campos

The notion that Barnes created his trust out of “petty spite” does not at all jibe with the facts as presented in the film (and before anybody strokes out again I’m not saying the film constitutes the...

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By: John

And here is Judge Ott’s final decision allowing the move.

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By: John

Here is a good article on the situation from the Inquirer.

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By: John

Murc – why do you believe your reading of Paul’s summary of an agitprop documentary gives you a better sense of the legal and factual issues here than Judge Ott had?

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By: Bloix

I visited the Barnes as part of a pre-arranged tour group in the 1980′s. It was a curious place – some heart-stoppingly beautiful paintings, many curious artifacts, and more second-rate Renoirs than...

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By: Jon H

“Overbrook/Merion are twenty minutes from Market East” Walking? Google puts it as 1 hour 40 minutes walking, 40 minutes by public transportation.

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By: Jon H

What role, if any, did the Catholic Church play in trying to keep the Barnes where it is? The old location was practically on St. Joseph’s campus, and the Archbishop’s mansion is close by. I could see...

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By: Jon H

Doh, that’s from 30th street, not market east. Point stands though.

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By: John

I believe that St. Joe’s bought up the old Episcopal High School campus and prevented the Barnes from buying part of it and building a parking lot there. So they helped prevent keeping it in Merion, in...

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By: etv13

I’m with Josh G. here. In what sense is Barnes “entitled to it”? For how long? If Barnes has a say, what about Gauguin and Renoir et al? Why aren’t we consulting their putative posthumous opinions?

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By: John

And <a href="http://www.law.umaryland.edu/programs/initiatives/arts/documents/Barnes04dec.pdf" rel="nofollow">here</a> is Judge Ott's final decision allowing the move.

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By: John

<a href="http://www.philly.com/philly/entertainment/museums/20120503_On_May_19__a_stone_s_throw_from__quot_the_House_of_.html?viewAll=y" rel="nofollow">Here</a> is a good article on the...

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